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RIMINI SCHOOL OF PAINTING

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The Rimini School of Painting

The Rimini School of Painting, with its unique expression, has been one of the most significant pictorial currents of the “Trecento”. The Rimini School of Painting was composed of about ten painters reunited in a single workshop. Among them are worth mentioning Baronzio, Giovanni, Giuliano, Pietro, who had a dramatic personality, and the miniator Neri. The presence in Rimini of Giotto, called by the Malatesta family, gave a substantial boost to the vast development and expansion of the Rimini School, which spread over the Montefeltro, Umbria and Veneto regions and reached also Croatia. The painters of the Rimini School of painting assimilated skilfully Giotto’s noteworthy influence. They compared with the Sienese and Florentine Schools of Painting and developed an autonomous artistic current influenced by the Byzantine traditions which are reflected in the mosaics of the nearby Ravenna. The Rimini School of Painting ended possibly in occasion of the black plague which heavily spread over Rimini in 1348. Noteworthy tokens of the Rimini School of Painting are still visible in Sant’Agostino Church. Of immense significance are the Last Judgement, which once decorated the triumphal arch, and is at present in the Arengo hall in the City Museum, masterpiece by the anonymous painter called “Maestro dell’Arengo”, the frescos in the chapel in the bell tower, representing scenes from the Life of Our Lady, ascribed to Giovanni from Rimini, and the Tales of St John the Evangelist, on the side-walls of the choir, ascribed to Pietro from Rimini, who painted also the noteworthy Crucifix in the Church of the Deaths in Urbania, nowadays preserved in the Cathedral. In the province of Rimini it is still possible to admire the Crucifix by the so-called “Maestro del Refettorio di Pomposa” in the Collegiate Church of Santarcangelo di Romagna and the frescos by Jacopo Avanzi in the fortress of Montefiore Conca.

 

 

 

 

 

 

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