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ARCH OF AUGUSTUS RIMINI
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Arch of Augustus
HISTORICAL MONUMENTS RIMINI
MONUMENTS RIMINI
The Arch of Augustus
Monument of incomparable historical and artistic value, symbol of the city
of Rimini, the Arch of Augustus has been built, in 27 B.C., to celebrate the
magnificent restoration of the Flaminia Road by the Emperor Augustus, as the
inscription on the architrave, which in ancient times captured the
passer-by’s attention with its bronze characters plated with gold, reminds
us. The inscription of the Arch of Augustus, of great historical value, is
one of the first Roman public documents in which the name Augustus is
attested. The appellative Augustus and the imperial powers were, in fact,
conferred by the Roman Senate on Octavian, from this time on Emperor
Augustus, in the same year 27 B.C., a few years after the victory in the
naval battle of Actium over Mark Antony and queen Cleopatra. Indeed, the
Arch, terminal of the Flaminia Road, near the river Ausa, today interred,
intended to magnify the peace and security assured by the Emperor Augustus,
who put an end to the civil wars. In
spite
of the celebrative purpose, the Arch of Augustus must not be confused with
the honorary or triumphal arches, which were always built isolated in the
forum. The Arch of Augustus of Rimini, in fact, replaced the precedent
Roman Gate, keeping the function of admission to the city, but with no
barrage, to signify that with the Emperor Augustus there was no more the
need to take refuge in the city, since an age of peace and prosperity had
been established. The Arch of Augustus, about 17.50 metres high, 15 metres
wide, and over 4 metres in thickness, was entirely build of blocks of
white limestone. It stood on two bases on which were the arch’s piers and
was surmounted by a triangular tympanum. The original attic, on which was
an equestrian marble statue of Augustus - a quadriga which offered a
frontal view of the Emperor, of which are probably left only a fragment of a
foot and a horse’s head - has been replaced, during the Middle Ages, with
the merlons visible today. Also the rich decoration of the Arch answers the
celebrative and symbolic criteria which intended to celebrate the Emperor.
The divinities in the clipea, that is, in the circles - Jupiter and
Apollo on the external side, Neptune and Rome on the internal one - are
greatly symbolic. The god Apollo led Octavian to the victory of Actium over
Mark Antony and the queen Cleopatra, Jupiter, the supreme divinity,
symbolized the peace of Augustus, the god Neptune celebrated Augustus’
dominion of the seas and the seafaring vocation of Rimini, the image of
Rome, worshipped as a goddess in the empire, pointed to the close
relationship between Rimini and Rome. The
images
of
human beings,
fishes
and
dolphins on the internal side - towards the city and the sea - horses, wild
boars and bulls, images connected with a fruitful nature and rural
surroundings, on the external side - towards the country - symbolized too
the victory of Augustus and the consequent safeness and prosperity which
connected the city with the surrounding territory.
The
Arch
of
Augustus was also probably adorned
with fountains, situated on the internal side, towards the city, like the
ruins of exedras found during archaeological excavations may confirm.
Neither the fountains, nor the houses, the walls and the towers, which
encircled the Arch of Augustus before the town-planning interventions by
Benito Mussolini, are left. The Arch of Augustus, in fact, between 1936 and
1937, has been isolated and cleared from the buildings which encircled it,
in order to celebrate in Rimini too the Bimillenary of Augustus and the
connection between the ancient Emperor Augustus and Benito Mussolini, who,
in mid-August 1936, personally wield a pickaxe and gave the first blow,
altering the historical and urbanistic sense of the Arch of Augustus.
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